At the Museum of Contemporary Photography, curators and cultural figures picture the manhood denied to a 14-year-old murdered in Mississippi in 1955.
A museum in Chicago is asking what Emmett Till might have become, had he lived past 14. The Museum of Contemporary Photography is hosting "If Emmett Till Lived," a commemorative exhibition running through December, built around a question that has no answer but plenty of evidence to work with.
Till was kidnapped and murdered by white assailants in Mississippi in 1955, a killing that helped ignite the American civil rights movement. His mother, Mamie Till-Mobley, insisted on an open casket at his Chicago funeral that September, a decision that forced the country to see what had been done to her son.
The Chicago exhibition was curated by Sarah Elizabeth Lewis and Reverend Wheeler Parker Jr, who was Till's cousin and was present the night he was abducted. Parker described Till's likely presence in the world today in blunt terms. "Knowing him, he would have been the center of everything going on," he said.
The project does not stop at speculation. A group of prominent cultural figures selected images and wrote reflections for the exhibition, treating Till's absence as a subject in its own right rather than a footnote to a familiar tragedy.
Lewis framed the exhibition's purpose beyond commemoration alone. "What's needed is a transformation of how we see each other," she said.
The show lands amid a wider set of moves to fix Till's memory into public record. Illinois has officially established 25 July as Emmett Till Day. In Mississippi, the Emmett Till Interpretive Center has acquired the barn where the murder took place, securing the site itself rather than leaving it to private hands. In Chicago, Roberts Temple Church, where Mamie Till-Mobley held her son's funeral, has unveiled a recreated version of its historic neon sign.
Seventy years on from a killing in the Mississippi Delta, the artefacts of Till's memory are no longer confined to archives. A barn, a sign, a state holiday and now a photography exhibition are each doing the work of keeping one boy's absence visible.
Источник: theguardian.com
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